CARRIERS by Kodanda Rao Teppala
November 26, 2025 to December 31, 2025
Gallery Sumukha 24/10, BTS Depot Road, Wilson Garden, Bengaluru-560 027, India M: +91 93804 20041 E: info@sumukha.com

KODANDA RAO TEPPALA · Regulations (Daily Laws) Regulations (Daily Laws)
Acrylic & Sand on Canvas
72 X 120 inches
2025

KODANDA RAO TEPPALA · The Celebration Of Being – 2
Acrylic on Canvas
36 X 48 Inches
2025

KODANDA RAO TEPPALA · Circle Of Life
Acrylic Lead on Canvas
36 x 24
2025

KODANDA RAO TEPPALA · The Garden Of Earthly Delight -2(Mother)
Acrylic on Linen Canvas
24 X 24
2025

KODANDA RAO TEPPALA · Joy of Being -12
Acrylic on Canvas
72 x 72
2025

KODANDA RAO TEPPALA · Gray Waters - vaaranasi
Acrylic on Canvas
72 x 96
2025

KODANDA RAO TEPPALA · Carrier - 2( The Idea of God)
Acrylic on Canvas
24 x 24
2025

KODANDA RAO TEPPALA · Petals of Blood (Un World)
Acrylic on Canvas
18 x 24
2025

KODANDA RAO TEPPALA · Carriers (The Idea of God)
Acrylic on Canvas
24 x 24
2025

KODANDA RAO TEPPALA · Carrier
Acrylic on Canvas
24 x 24
2025

KODANDA RAO TEPPALA · Seeds of Hope (Mother)
Oil on Linen Canvas
24 x 18
2025

KODANDA RAO TEPPALA · Rest (Vaaranaasi)
Acrylic on Linen Canvas
24 x 24
2025

KODANDA RAO TEPPALA · Flighting Light
Oil & Sand on Canvas
24 x 18
2025

KODANDA RAO TEPPALA · Un World (Region of conflict)
Acrylic on Canvas
24 x 18
2025

KODANDA RAO TEPPALA · Water Ways
Oil on Canvas
48 x 36
2025

KODANDA RAO TEPPALA · The Celebration Of Being
Acrylic on Canvas
48x 36
2025

KODANDA RAO TEPPALA · Joy of Being - 13
Oil on Canvas
36 x 24
2025

KODANDA RAO TEPPALA · Holy Waters
Acrylic on Canvas
72 x 120
2025
Kodanda Rao Teppala’s paintings are instantly inviting with their vivid, playful colours. This welcome is intentional, but it also sets up a gentle trap. It is once you are inside that the questions become harder.
Rao often paints gatherings such as beaches, festivals and everyday rituals. At first, these scenes seem joyful. Look longer, and they begin to feel like brief escapes from something heavier. Rao sees these moments of pleasure as temporary relief from something darker: systems that rely on the same people they keep unseen. The works in this show extend his long interest in how ordinary life is marked by extraordinary forms of violence. Movement, ritual and migration become sites where these marks surface. The artist’s earlier works were more direct. These recent paintings are more reflective. After the pandemic, he moved to acrylic, a medium that allows him to shift quickly between thinking and making. The ideas, though, have grown deeper, shaped by his readings of Krishnamurti, the Buddha and Ramana Maharshi. The canvases carry this questioning spirit.
His figures remain small, a habit from his printmaking background. They become carriers of belief, fear and the inherited habits that stay with us, often without our noticing. Even the titles seem simple, yet they deserve a second look. Like everything else, they offer a small misdirection before revealing themselves. This show presents Rao’s view of the human condition as it feels today: colourful, chaotic, exhausted, searching for meaning and perpetually on the verge of being swept out to sea.
Amshula Prakash